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Mela film part 1
Mela film part 1






He went back to visit his family in Bangladesh and was arrested the day after he arrived. Twenty-six years old Alif (pseudonym) was a labourer in Dubai for the last few years. The landscapes raise questions about the portraits and their associated reality. This work is a meditative documentation on the youth of my country who were falsely accused.

mela film part 1

The photographs show the locations where the bodies were found after ‘clashes’ between the police and so-called criminals.

mela film part 1

Some came back, but they are not allowed to speak out. More than 4,000 young people have been picked up randomly by the police in recent years. Sound and design is just a part of this wide spectrum. Data translated meaningfully can portray anything and can be translated into anything. Everything in the universe can be translated to data, for instance, our movement is data, it is data with XYZ coordinates giving a precise measurement of our point of stance. Proximity deals with motion and human interaction, such as, moments and inputs to translate them into digital art. Karim is a core member of the “Jog art space” collective.Īrtists: Akaliko Records, Ashfika Rahman, Emran Sohel, Fahim Hasan Sahan, Habiba Nowrose, Jiasrin Hoque, Mizanur Rahman Sakib, Mosiur Rahman, Mushfiq Mahbub Turjo, Razib Datta, Sharad Das, Syed Md Sohrab Jahan, Walid Saddam

mela film part 1

Karim is an audio-visual artist who works with a range of media including moving image, installation, sound and painting. Deploying the capacity of emotion, the sensible image-movement, and our ability to imagine, Karim leads viewers to a perceptual world, to evoke meaning rather than mere description. He stages interventions in the cityscape using film projections that complicate the nature of the site. Zihan Karim, the curator of the exhibition, creates a dialogue between the real and the virtual.








Mela film part 1